Uncastillo assembles one of the richest monumental sets of quite Aragon. Declared Historical Set Artistic in 1966, the fortitude that names him the Town is today, only one more motive of the valuable set.

his municipal term borders for the north on those of Sos of the King Catholic, Petilla de Aragón (an enclave of Navarre inside Aragon), Isuerre and Lobera de Onsella; for the East with Luesia and Biota; for the south with Biota, Sádaba and Layana; and for the west with Sádaba, Castiliscar and Sos of King Católico.

Sights. Monumental patrimony. The Romanesque one of the XIIth

"Well of Ice"
Consistorial house
Castle of the Rock Ayllón
Castle of Sibirana
Center of Religious art, T. M.
Center of Interpretation and study.
Chapel of the Virgin of the Milk (XIIth century)
Chapel of the Virgin of Loreto
Chapel of the Virgin of Bathe them (XVIth century)
Chapel of St Kitts (XIIth century)
Saint's chapel Quiteria (XIIth century)
Church of San Andrés
Church of San Felices or of the Remedy (century. XII/XIII)
Church of Saint John (come up XIIth century)
Church of St Martin of Tours
Church of San Miguel
Church of Santa Maria the Biggest (XIIth century)
The Lonjeta
Palace of Martín Human being
Remains of the church of the St Lawrence
Ruins of the Convent of The Favor
Roman ruins of Bathe them
Medieval town planning

Cultural Historical set from 1966

Most of his term belongs to the basin of the river Riguel, tributary of the river Arba de Luesia, across diverse ravines, between those who emphasize the Ravine of the Ells, the Ravine of Petilla or the Ravine of Baztanes: nevertheless, a small portion to the northeast of the term (in the area of the castle of Sibirana) ends straight in the river Arba de Luesia, as one part of this one of his term, emphasizing especially the Ravine of Olid.

The uncastilleros, the happy and hospitable Town, celebrate his Management holidays concerning September 8 in honor of Virgin of St Kitts, with a program of acts that includes sit-ins of heifers, verbenas, giant and bigheaded, brass bands, fireworks... Last Sunday of May pilgrimage takes place to the chapel of Bathe them. Other traditions that survive are the bonfires in every eve of San Sebastian and San Blas (19 of on January and February 2), the ancient and popular Mass of Rooster and them Dawns in October. (fte and texts to see links)

ORDER of September 3, 2003, of the Department of Education, Culture and Sport, for completes the original declaration of Good of Cultural Interest of so called «Church of Santa Maria the Biggest» in Uncastillo (Saragossa), in accordance with the First Transitory Disposition of the Law 3/1999, of March 10, of Aragonese Cultural heritage.

I ANNEX I DESCRIPTION OF THE GOOD

It is a question of a Romanesque church dedicated in 1155 for the bishop of Pamplona and extended in the XVth and XVIth centuries, which it was always an object of numerous real favors that confirm his importance.

His factory is of ashlar and it consists of the only ship of six stretches covered by vault of pointed cannon reinforced by arches fajones double. His apse, semicircular, presents an arquillos gallery peraltados and of half a point, in that the vain ones insert of lighting.

The most important element is undoubtedly the magnificent front southern. There consists of three archivolts decorated profusely with vegetable and geometric motives combined with figurative others of profane character, which there support in columns with capitals decorated with religious motives and shafts bullions or sets with entrelazos of basketry. Traditionally it has assumed to the Teacher of Uncastillo.

In the XVth century the southwestern angle finished in Gothic style the Romanesque tower placed in . Square plant and a defensive auction has with battlements and garitones that wraps a capital octogonal.

In the XVIth century they got up a vestry attached to the apse (eliminated in 1970, although his access still survives from the temple), one wide cloister with funeral chapels decorated with elements Renaissance, as the door of entry to the same one, and the choir highly to the feet. Also, it transformed the western front re-making use of a Romanesque eardrum with representation of Epiphany.

Finally, in the XVIIIth century there was added the Chapel of the Saint Christ.

His conservation state is good in general.

RELATION OF THE MOST OUT-STANDING INTEGRAL REAL ESTATES

1. Major reredos dedicated to the Asunción of the Virgin, of Jusepe Martínez. 1648.

2. Reredos of San Jerónimo. Ends XVIth century.

3. Size of the Virgin. The second half XIIIth century.

4. Crucifix (it comes from the Chapel of St Kitts). The first half XIVth century.

5. Reredos of the Piety. Third third XVth century.

6. Gate of the Chapel of the Saint Christ. XIXth century.

7. Reredos of the Virgin of St Kitts. Ends XVIIth century.

8. Size of the Virgin of Bathe them. XIVth and XVIIIth centuries.

9. Reredos of San Jose. The first third XVIIIth century.

10. Choral chairs and lectern. The second third XVIIth century.

11. Reredos of San Pedro and San Pablo (it comes from the Chapel of San Cristóbal). The fourth third XVth century.

12. Linen of the Virgin of the Pigeon. XVIIIth century.

13. Linen of the Crucifixion and saints. XVIth century.

14. Size of the Virgin of the Rosary. XVIIIth century.

15. Linen of Ecce Homo XVIIIth century.

16. Linen of the Sacred Family. XVIIIth century.

17. Linen of the Virgin of the Pigeon. Second half of the XVIIth century.

18. Linen of San Pedro. 1649.

19. Tabernacle with head of Saint John Bautista. The second third of XVIIth century.

20. Christ in the cross. XVIIth century.

21. Virgin's size sedate you with the Child. XVIth century.

22. Size of Saint John Evangelista. Ends XVIth century.

23. Size of Santa Catalina de Siena XVIII s.


24. Size of not identified saint. The first half XIVth century.

25. Saint Ann, The Virgin and the Child (of the Altar of the Piety). Towards 1560.

26. Size of San Sebastian. XVIIIth century.

27. Crucifix. Ends XVIIIth century.

28. Crucifix. XVIIth century.

29. Crucifix. XIXth century.

30. Cross reliquary. XVIIIth century.

31. Size of San Pedro Alcántara. XVIIth century.

32. Size of the Virgin of Carmen. XVII s.


33. Size of Santo Domingo. XVIIth century.

34. Processional care in wood. About 1540-1550.

35. Size of San Miguel. XVIIIth century.

36. Size of San Antonio. XVIIIth century.

37. Sizes of Santos Cosme and Damián. XVIII s.


38. Saint's size without identifying. XVIIth century.

39. Size of the Blessed Virgin. XVIIIth century.

40. You carve of Painful and Saint John (of the Reredos of the Saint Christ). XVIIIth century.

41. Reredos of San Antonio Abbot. XVIIth century.

42. Child's size Jesus. XVIIth century.

43. Size of Saint John Bautista. Third third XVIIth century.

44. Size of Magus. XIVth century.

45. Size of Santa Barbara. XVIIth century.

46. Virgin in foot with the Child in arms. XVIIIth century.

47. Vinajeras. Punch DISMISS YOU. XVIIIth century.

48. Reliquary. Punches PAL (A) cios and CES. The second half XVIIIth century.

49. Hyssop. XVIIth century.

50. Chalice. Ends XVIIth century.

51. Chalice. Come up XVIIIth century.

52. Pyx. Punches CASTELLO and DISMISS YOU. The second half XVIIIth century.

53. Processional cross. Punches RAMON and DISMISS YOU. XVIth century.

54. Processional cross. Punch P.FUENTES. XVIIIth century.

55. Crucifix with stand. XVIIth century.

56. Six candlesticks. Punch ANTONIO DARGALLO. The second half XVIII.th century.


57. Pax. XVIII - XIXth centuries.

58. Hostiario. XVIIth century.

59. Altar - reliquary cross. The second half XVIIIth century.

60. Four scepters. XVIIIth century. About 1763.

61. Processional cross. The first half XVIth century.

62. Hostiario. Punch DARGALLO. About 1763.

63. Salver. XVIIth century.

64. Chalice. XIXth century.

65. Censer. Punch DAIS. Come up XVIIth century.

66. Censer. Punch FIDEL and PATRICIAN COSTAN. XVIIth century.

67. Cáiz. Punch PEREZ. XVIIth century.

68. Chalice. Punches MADRINO and DISMISS YOU. The second third XVIIIth century.

69. Chalice. XVIIth century.

70. Small drawer. XVIIth century.

71. Small drawer. XIXth century.

72. Salver vinajeras. Punch CANES BGDA. XIXth century.

73. Crucifix with stand. XVIIIth century.

74. Fence chapel of the cloister. XVIIIth century.

75. Linen of the Delight of Santa Teresa. The second half XVIIth century.

76. Linen of San Francisco Javier. The second half XVIIth century.

77. Reredos of the cloister. The second half XVIIIth century.

78. Pulpit. XVIth century. About 1581.

79. Reredos Predela with Death of San Jose. XVIIIth century.

80. Reredos of the Visitación. The first half XVIIth century.

81. Reliquary (don Antonio Mongilan). The first half XVIIIth century.

82. Conch of baptizing. Punch IACCA. XVIIth century.

83. Chalice. XVIIIth century.

84. Processional cross. The second fourth XVIth century.

85. Chalice. The first half XIXth century.

86. Small bell. About 1700.

87. Chalice. XVIIth century.

88. Reliquary. XVIIIth century.

89. Chest - reliquary in wood. XVIth century.

90. Candlestick. XVIIth century.

91. Chest - reliquary. XVIIth century.

92. He guards. XVIIIth century.

93. Linen of the Blessed Virgin. XIXth century.

94. Sculpture in alabaster of the Virgin of the Prop. XVIIIth century.

95. Crismeras. XVIIIth century.

96. Reredos of the Chapel of San Buenaventura. XVIIth century.

97. Three salvers. (fte: Official bulletin of Aragon)